Decoding the New York Mayor's Sartorial Choice: The Garment He Wears Reveals Regarding Modern Manhood and a Shifting Society.
Coming of age in the British capital during the 2000s, I was always immersed in a world of suits. You saw them on businessmen hurrying through the financial district. You could spot them on fathers in Hyde Park, kicking footballs in the golden light. At school, a inexpensive grey suit was our required uniform. Historically, the suit has served as a uniform of gravitas, signaling power and performance—traits I was expected to aspire to to become a "adult". However, before lately, my generation seemed to wear them infrequently, and they had all but disappeared from my consciousness.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony wearing a subdued black overcoat, pristine white shirt, and a notable silk tie. Riding high by an innovative campaign, he captivated the world's imagination like no other recent mayoral candidate. Yet whether he was celebrating in a music venue or attending a film premiere, one thing was mostly unchanged: he was frequently in a suit. Relaxed in fit, contemporary with unstructured lines, yet traditional, his is a quintessentially middle-class millennial suit—that is, as common as it can be for a cohort that rarely bothers to wear one.
"This garment is in this weird place," notes men's fashion writer Derek Guy. "Its decline has been a slow death since the end of the second world war," with the real dip coming in the 1990s alongside "the advent of business casual."
"It's basically only worn in the strictest settings: weddings, memorials, and sometimes, court appearances," Guy states. "It is like the traditional Japanese robe in Japan," in that it "essentially represents a custom that has long ceded from everyday use." Many politicians "don this attire to say: 'I represent a politician, you can trust me. You should support me. I have legitimacy.'" But while the suit has historically signaled this, today it enacts authority in the attempt of winning public trust. As Guy elaborates: "Because we are also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." To a large extent, a suit is just a subtle form of performance, in that it performs masculinity, authority and even closeness to power.
Guy's words stayed with me. On the rare occasions I need a suit—for a ceremony or formal occasion—I dust off the one I bought from a Tokyo retailer several years ago. When I first picked it up, it made me feel sophisticated and expensive, but its tailored fit now feels passé. I imagine this feeling will be all too recognizable for numerous people in the diaspora whose parents come from other places, particularly global south countries.
It's no surprise, the everyday suit has fallen out of fashion. Similar to a pair of jeans, a suit's silhouette goes through trends; a specific cut can thus characterize an era—and feel rapidly outdated. Consider the present: more relaxed suits, echoing Richard Gere's Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a significant investment for something destined to fall out of fashion within five years. But the appeal, at least in some quarters, persists: in the past year, department stores report suit sales increasing more than 20% as customers "move away from the suit being daily attire towards an appetite to invest in something special."
The Symbolism of a Mid-Market Suit
The mayor's go-to suit is from Suitsupply, a Dutch label that retails in a mid-market price bracket. "Mamdani is very much a reflection of his background," says Guy. "In his thirties, he's not poor but not extremely wealthy." Therefore, his moderately-priced suit will resonate with the group most inclined to support him: people in their 30s and 40s, college graduates earning middle-class incomes, often discontented by the cost of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits arguably align with his stated policies—which include a rent freeze, building affordable homes, and fare-free public buses.
"It's impossible to imagine a former president wearing Suitsupply; he's a Brioni person," observes Guy. "As an immensely wealthy and grew up in that property development world. A status symbol fits naturally with that tycoon class, just as attainable brands fit naturally with Mamdani's cohort."
The history of suits in politics is extensive and rich: from a former president's "controversial" tan suit to other world leaders and their notably impeccable, custom-fit sheen. As one British politician learned, the suit doesn't just dress the politician; it has the potential to characterize them.
The Act of Normality and Protective Armor
Maybe the key is what one scholar refers to the "performance of banality", summoning the suit's historical role as a uniform of political power. Mamdani's particular choice leverages a deliberate modesty, not too casual nor too flashy—"conforming to norms" in an unobtrusive suit—to help him appeal to as many voters as possible. But, experts think Mamdani would be cognizant of the suit's historical and imperial legacy: "The suit isn't neutral; historians have long noted that its contemporary origins lie in imperial administration." Some also view it as a form of defensive shield: "I think if you're a person of color, you might not get taken as seriously in these white spaces." The suit becomes a way of signaling legitimacy, particularly to those who might question it.
This kind of sartorial "changing styles" is not a recent phenomenon. Indeed historical leaders previously donned formal Western attire during their formative years. Currently, other world leaders have started exchanging their usual military wear for a black suit, albeit one without the tie.
"In every seam and stitch of Mamdani's public persona, the tension between belonging and otherness is visible."
The attire Mamdani chooses is deeply significant. "Being the son of immigrants of Indian descent and a democratic socialist, he is under scrutiny to meet what many American voters expect as a sign of leadership," says one expert, while at the same time needing to walk a tightrope by "avoiding the appearance of an elitist betraying his non-mainstream roots and values."
But there is an acute awareness of the double standards applied to who wears suits and what is read into it. "This could stem in part from Mamdani being a millennial, able to assume different personas to fit the occasion, but it may also be part of his diverse background, where code-switching between languages, customs and attire is typical," it is said. "Some individuals can remain unnoticed," but when women and ethnic minorities "seek to gain the power that suits represent," they must meticulously navigate the expectations associated with them.
In every seam of Mamdani's public persona, the tension between somewhere and nowhere, inclusion and exclusion, is evident. I know well the discomfort of trying to fit into something not designed with me in mind, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in public life, appearance is not without meaning.